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S.A.D. doesn’t have to be: Art & Seasonal Depression

Ed Ed & Eddy Cartoon Seasonal Depression Artwork Art Leaders GalleryWe Michiganders are well versed in seasonal depression, the winter blues, or SAD (Seasonal Affective Disorder). As the days get shorter, darker, and colder – we do our best to keep our energy levels up, but we would be lying if we said it didn’t get to us sometimes. Holiday spirit aside, it seems there really isn’t much to look forward to other than cold & snow for the next several months. While we search for ways to brighten our days this winter, what better way to fight the grayness than with a colorful masterpiece in your home!

 

We at Art Leaders Gallery are adamant about selecting artwork that makes you feel something! Art has long been known togreatly affect the moods of we humans (cave art on!) Art Therapy has been used widely in the last century or so; a form of psychotherapy involving the encouragement of free self-expression through painting, drawing, or modeling, used as a remedial activity or an aid to diagnosis. While we aren’t necessarily saying you need to take up painting this winter (though we encourage you to try!) We are saying that it might be time to take a look at your winter environment; indoors; and think about ways to brighten up your space. Your home is where you will undoubtedly spend 90% of your free time when the temperatures start getting below a certain point. Why not make your home your own oasis from the dreary darkness?

 

Seasonal Depression S.A.D

If you are not familiar, seasonal affective disorder (SAD) is a form of depression that occurs at the same time each year, usuallyin winter. Otherwise known as seasonal depression, SAD can affect your mood, sleep, appetite, and energy levels. This can affect your relationships, social life, work, school, and your overall sense of self-worth. You may feel like a completely different person to who you are in the summer: hopeless, sad, tense, stressed, no interest in friends or activities you normally love. SAD usually begins in fall or winter when the days become shorter and remains until the brighter days of spring or early summer. SAD affects about 1% to 2% of the population, particularly women and young people, while a milder form of winter blues may affect as many 10 to 20 percent of people. Since the amount of winter daylight you receive lessens the farther you are from the equator, SAD is most common in people who live 30+ degrees latitude north or south. The good news is that SAD is treatable. Let us help by inspiring you with beautiful vibrant art!

 

Here are some of our picks to give your spirits a lift! We have styles for every home.

Antonio Molinari – “Tropical Emulsion”

tropical_emulsion_antonio_molinari_Seasonal Depression

Konstantin Savchenko – “Afternoon in the Park V”

Ken Rausch – “Bending Copper Series II”

copper wavey metal sculpture art therapy

Dr.Seuss – “I Dreamed I Was a Doorman at The Hotel Del Coronado”

I DREAMED I WAS A DOORMAN AT THE HOTEL DEL CORONADO

 

If artwork isn’t in the budget this season, we encourage you to get out and visit a museum or art gallery to soak up some joy (and maybe get some of those daylight bulbs!)

– Happy Almost Winter from ALG 🙂

 

 

 

Images by Deviantart.com, Dr.SeussArt.com, & Artleaders.com

 

The Art of Neon

 

Neon Art Idaho by Laddie John Dill

Has anyone else noticed this obsession with neon lately? Not only with interior design, but with fine art as well! The fluorescent neon lighting trend has come a long way since its affiliation with smoke filled bars and strip clubs. It has been creeping back into the artworld for the last several years and the evidence is everywhere.

Sir William Ramsay and Morris Travers discovered neon by accident in 1898 while experimenting on liquid air. Georges Claude began creating neon lighting in 1902, as he had surplus neon leftover as a byproduct of his air liquefaction company. Neon lighting consists of brightly glowing, electrified glass tubes or bulbs that contain rarefied neon or other gases. Neon lights are a type of cold cathode gas-discharge light. A neon tube is a sealed glass tube with a metal electrode at each end, filled with one of a number of gases at low pressure

Not all neon lights are neon, in fact only one color of ‘neon’ is actually neon! The color of the light depends on the gas within the tube. Neon lights were named for neon, a noble gas which gives off a popular orange light, but other gases and chemicals are used to produce other colors, such as hydrogen (red), helium (yellow), carbon dioxide (white), and mercury (blue). Various combinations have been created over the years, creating some of our favorites (the pinks and purples!) that we have come to love today.

Threshold” (2009) from the 53rd Venice Biennale by Ivan NavarroGood Boy, Bad Boy by Bruce Nauman

Did you know there is a museum of neon art? MONA is an institution that exists to encourage learning and curiosity through the preservation, collection, and interpretation of neon art! They have hosted several notable Exhibitions in the last several years. She Bends: Women in Neon was a group art show featuring women benders from around the world and was curated by Meryl Pataky.

Though neon, and neon in art is not new it has been popping up all over lately! Not only do we personally follow several artists who have moved into neon as a medium in the last several years – notable exhibitions and art contests have been booming with the stuff!

 

The winner of the jury awarded $200,000 Grand ARTPRIZE in Grand Rapids,MI October 8th, 2018 went to “brown, carmine, and blue.” by Le’Andra LeSeur. LeSeur’s “brown, carmine, and blue” utilizes visual media (including several neon elements), installation and performance to make sense of the way current ideologies frame marginalized identities. “Le’Andra so compellingly utilizes all of her resources to take us into her world and her worldview. Her work was so deeply immersive. It’s about gender, it’s about race, it’s about America at its core,” said Davis Anderson, an ArtPrize 10 juror and the Edna S. Tuttleman Director of the Museum at PAFA.

Neon Art Brown Carmine and Blue Le'Andra LeSeur Neon Art Brown Carmine and BlueBrown Carmine and Blue Le'Andra LeSeur

And then there is Alex Da Corte’s Rubber Pencil Devil featured at The 2018 Carnegie International, that opened on October 13th. The Philadelphia-based artist displays a skeletonof a house covered in neon with flower plantings, jack-o’-lanterns, cupids, etc. Inside, 57 magnetic music videos play (Over the course of three hours), each with pop-culture references. Da Corte stars as most of the characters in the videos. A giant Heinz bottle is jumps around, The Wicked Witch of the West is sings LeAnne Rimes accompanied by Oscar the Grouch, Bugs Bunny is sits on a cartoon crescent moon, singing Frank Ocean.

Then, as ambient music plays, Da Corte walks slowly through the door of a familiar-looking set. He’s dressed as Mister Rogers (who shot his children’s TV show nearby), wearing one of his brightly colored sweaters, smiling warmly to the camera and sitting down to change his shoes. Pretty soon he’s out the door, returning a moment later in a different sweater, switching his shoes once more and departing. He does it again and again, arriving each time in a new sweater and with the same joyful hello to the audience. It’s by turns hilarious and sad, and more than a little dark, but as he keeps going, something else happens: it begins to have the feel of an epic. It’s moving—heroic, even. He—Rogers, Da Corte—is striving to get the job done as well as he can. Like us all, he’s putting on his best face, trying to get through the day.

-Andrew Russeth |ArtNews

Rubber Pencil Devil

Pencil Devil Neon Art

rubber pencil devil alex Da Corte

 

 

 

 

 

 

 

 

We seriously can’t get enough of this work! Fingers crossed we can make some magic happen and go experience it for ourselves. Not only is it stunningly beautiful, but it resonates this strange, intriguing Americana nostalgia. The work has already been widely praised in its week since opening. Popular art hub Artsy recently published “The Carnegie International Puts Joy before Politics”. Everyone is eating up the light-heartedness of this neon structure. Wither it be the cottage feel, the candy-colored films, or various pop culture references such as Pinocchio and Mr. Rogers, something about it makes you smile!

We hope this trend sticks around for years to come! It is candy to our eyes and – I for one have NO shame in being related to a bug drawn to a zapper because we are oohing and aahing over this art trend.

 

Photos by: Sleekmag.com, Artprize.com, & artnews.com

 

 

ArtPrize 10 | Autumn 2018

The results are in! ArtPrize 10 has officially come to an end. We are so proud to have had four of our amazing artists featured this year; Antonio Molinari, Gerd Schmidt, Konstantin Savchenko, & Andrii Afanasiev. We had an amazing time visiting downtown Grand Rapids and stopping into all of the venues! It truly is an experience.

Jason Peters - The Sum of Its Parts ArtPrize 10 2018

If you are unfamiliar – ArtPrize is an open, independently organized international art competition which takes place every other fall in Grand Rapids, Michigan. Over five hundred thousand dollars in prizes are awarded, including a $200,000 prize awarded entirely by public vote and another $200,000 prize awarded by a jury of art experts!

Any artist working in any medium from anywhere in the world can participate. Art is exhibited in various venues throughout downtown (museums, bars, public parks, restaurants, theaters, hotels, bridges, laundromats, auto body shops, vacant storefronts and office spaces, etc.)

ArtPrize is free and open to the public and now attracts over 500,000 visitors, making it the most attended public art event in the world according the Art Newspaper’s annual “Big Ticket List.”

ArtPrize 10 Opening Ceremony 2018

ArtPrize 10 announced the winners of $500,000 in prizes on October 8th, 2018. Below are some details regarding the winning entries!

Two $200,000 Grand Prizes were awarded, through smartphone-enabled public vote to “THE STRING PROJECT” by Chelsea Nix and Mariano Cortez, and by a jury of art experts to “brown, carmine, and blue.” by Le’Andra LeSeur.

“The String Project” is a series of photographs taken across five continents that together represent humanity’s shared connection.“Visitors selected a stunning visual representation of hope, empathy and connection to take home the top public vote prize,” said Jori Bennett, ArtPrize executive director.

LeSeur’s “brown, carmine, and blue” utilizes visual media, installation and performance to make sense of the way current ideologies frame marginalized identities. “Le’Andra so compellingly utilizes all of her resources to take us into her world and her worldview. Her work was so deeply immersive. It’s about gender, it’s about race, it’s about America at its core,” said Davis Anderson, an ArtPrize 10 juror and the Edna S. Tuttleman Director of the Museum at PAFA.

-Charlsie Dewey GR | MAG

The String Project Chelsea Nix and Mariano Cortez ArtPrize 2018 brown, carmine, and blue Le'Andra LeSeur ArtPrize 10 2018

It is safe to say that the artists brought their all this year. There were so many deeply conceptual, emotionally rooted pieces that immerse the viewer in the reality of the artist and what they are attempting to convey. Most of which fell into the category of performance art. Most art critics will tell you that the conceptual element in itself is what makes an artist, an artist. Physical artistic talent alone is rarely acknowledged anymore and considered crafty, naive, or decorative on its own – only impressive to a non-art educated viewer or audience. I will say that despite this current viewpoint in the art world, there were several skillfully impressive works with honorable mention this year. We are in no way implying or intending to remove any thought or concept intended to be connected with these pieces. Simply wanted to throw a shout-out to some wonderfully talented artists this year – some of our favorite works detailed below:

Both falling in the 3-D category, public:

“The Phoenix” by Joe Butts & “Sun Pop” by Joshua Clark

ArtPrize 10 2018 The Phoenix by Joe Butts Sun Pop by Joshua Clark ArtPrize 10 2018

We want to extent congratulations to all of the winners and artists who exhibited at ArtPrize 10 this year! This event could not be possible for all of us to enjoy without you. We are excited to see what this event will continue to bring in the future. Art Leaders Gallery is so proud to call Michigan our home and our immediate art community!

 

Photos by: Artprize.com & mlive.com

 

 

Dr. Seuss: His Mystery Midnight Paintings

Dr.Seuss Theodore Geisel Secret ArtWe all know and love famous children’s book author Dr.Seuss! Whether we grew up reading the books or watching the cartoons, we all know the rhymes and whimsical style that we have come to love. What you might not know is that Theodor Seuss Geisel was also a fine artist! Ted illustrated children’s books by day and spent his nights creating what he called his “midnight paintings”. His limited edition artworks are available for sale at select galleries -and wow are they amazing.

Ted never sold his works during his lifetime. He felt that it would distract from his career as a children’s book author. He also had an interesting time considering himself a fine artist at times. After his death in 1991, his home shared with wife Audrey, contained hundreds of drawings, paintings, and taxidermy sculptures.

Following Geisel’s death, Audrey donated many of his drawings to the University of California, San Diego. In 1996 art dealer Robert Chase approached her with the idea to release limited edition reproductions of her late husband’s collection. “The Art of Dr. Seuss Collection” officially launched in 1998 following a preview of the collection in 1997 where a small number of editions released annually for collectors.

“I remember telling Ted that there would come a day when many of his paintings would be seen and he would thus share with his fans another facet of himself—his private self.”

-Audrey Geisel

Many of the paintings include political commentary, sexual innuendos, and just generally not the G-rated wholesomeness we have come to expect from the Seuss name. This really is the draw for a lot of collectors – after all, Ted was a man living in this world (as well as his Seussian world) with opinions to be shared! He actually got his start with cartoon drawings in newspapers, focusing primarily on political satire. His earlier advertising illustrations in the 1920’s & 30’s eventually led him to a stint as a political cartoonist in 1941 during World War II. He even joined the army in 1943 as a scriptwriter for a filmmaking unit that documented the war.Tower of Babel Dr.Seuss Secret Art

While Ted hid his midnight paintings from the world, he also had some fun with them! He hung one of his  paintings in his home, “Green Cat With Lights” and signed it with pseudonym, Stroogo Von M; pretending that he had discovered a new artist. Ted would talk about it at dinner parties to gauge what other people truly thought about his work. According to his wife Audrey “On at least one occasion, a guest replied, ‘Oh yes, I’ve heard of Stroogo Von M.’”

Green Cat Wiith Lights Dr.Seuss Secret ArtThe collection from Chase art group currently available for sale includes illustrations, midnight paintings, and what he called his “unorthodox taxidermy.” These sculptures are mounted creature heads that Geisel originally created with papier-mâché. The original beaks, horns, antlers, etc. were from real deceased animals from the Springfield Zoo in Massachusetts where his father worked. The reproductions of course are cast and include no real animal elements.

While it was Ted’s children’s books and literary rhymes that made him a sensation, his uniquely styled animals and figures have cemented themselves as distinctly Seussian. Rest assured that his Secret Art maintains that same whimsical charm. And when you think about it, his work was always immensely conceptual. Sneetches and Yertle the Turtle explain discrimination and fascism, while The Lorax advocates to preserve the environment. Hoping that generations to come will continue to enjoy the genius that was Theodor Seuss Geisel.

 

Sludge Tarpon unorthodox taxidermy Dr.Seuss Secret Art

 

Images by: http://www.drseussart.com/

 

Shredding It: Continuing the Conversation

Banksy Shredded Art 2018

I am sure by now we have all heard of the latest Banksy prank pulled earlier this month. If not, here is a brief synopsis to catch you up with the art world this October! One of his trademark paintings appeared to self-destruct at Sotheby’s in London after selling for $1.4 million at auction!

The work, “Girl With Balloon,” a 2006 spray paint on canvas, was the last lot of Sotheby’s “Frieze Week” evening contemporary art sale. After competition between two telephone bidders, it was hammered down by the auctioneer Oliver Barker for 1 million pounds, more than three times the estimate and a new auction high for a work solely by the artist, according to Sotheby’s.

“Then we heard an alarm go off,” Morgan Long, the head of art investment at the London-based advisory firm Fine Art Group, who was sitting in the front row of the room, said in an interview on Saturday. “Everyone turned round, and the picture had slipped through its frame.”

The painting, mounted on a wall close to a row of Sotheby’s staff members, had been shredded, or at least partially shredded, by a remote-control mechanism on the back of the frame. 

-NY Times

The mystery female millionaire winning bidder has recently announced that she will be keeping the piece at the original purchase price. She released a statement Thursday regarding her over-the-phone bidding experience and the later realization that she has purchased a valuable moment in art history.

“When the hammer came down last week and the work was shredded, I was at first shocked, but gradually I began to realize that I would end up with my own piece of art history,” the buyer, who was identified only as a “European collector and a longstanding client,”

I mean if we were her, we would keep it too! After all, isn’t artwork value – along with really everything else in our consumerism society determined by its popularity? The piece, recently retitled “Love Is in the Bin” is now considered to be more valuable than its hammer price just a week or so ago. In fact, all of Banksy’s work is rumored to have gone up in value the last week and a half. A smart play by Banksy, and a comment to all of us for caring about it – therefore continuing to increase its value.

Never the less, we art lovers are bound to talk about art! It is what we love. We galleries will continue to support our artists and their smart, potentially upsetting antics – monetarily motivated or otherwise! After all, if any of you are artists or know one in your personal lives, wouldn’t you agree that something would be lost without them? We thrive on and pull from their creative steam!

Many retailers, as well as political commentators have taken advantage of the press in the last week or so. I have below a few images for your enjoyment –

Notes From Poland Banksy

Ikea Rug Bansky Shred Art

After all, there is so much conversation to be had about this act of performance art – if you will. How would you feel if you were the bidder behind the hammer? Initially – anger, regret, confusion? Eventually – happy, mocked, taken-advantage-of, famous?

Regardless of the potentially cynical societal undertones of Banksy’s ever so elusive commentary (made ever so evident in the 2010 film Exit Through the Gift Shop) we think it is a good thing we are talking about art again as a culture! We will soak up the attention and continue to appreciate artists conceptual efforts!

 

Images by:

https://www.nytimes.com/

 

Pop! – Goes the Art World

You can’t not know what Pop Art is. I mean –you can, but if you saw pop art you’d definitely recognize it. And that’s very much the intention of the movement –to be popular. Not to become popular, but to already exist as something popular. How can this be? Pop Art as a movement creates a mirror for popular culture –it’s things like Campbell soup cans, Wonder Woman, and large balloon animals. Pop artists have faced critiques of originality from the movement’s inception; however, one look at these artworks and you won’t be able to deny their creativity.

Pop art arose in the 1950s as a reactionary art movement to abstract expressionism. Abstract Expressionism concerned itself with the subconscious or the spiritual; it was spontaneous, automatic, and had great emotional intensity. The point was to avoid the artistic censorship that occurred after World War II (and all the political propaganda “art” that came with it) by creating art with abstract or neutral subject matter –think Jackson Pollock and Mark Rothko.

Pop Artists entered the art scene in an attempt to lighten the mood from the intensity of this genre by reverting to the everyday realities of popular culture. They emphasized the banal, kitschy, even the cheap elements of society –employed in an almost satirical or ironic reaction to the art of the times. Things you’d normally see in comic books, advertisements, and every day mundane (albeit cultural) objects appeared in compositions whose creators called them “art”. And by the 1960’s, “Pop Art”, as it came to be known, was ready to change the world. Artists such as Roy Lichtenstein and Andy Warhol dominated the art scene. But it wasn’t just an art-movement, it was an ideology; it was a lifestyle

In the 1980s Pop art had a resurgence known as “Neo-Pop”. Like the Pop art of the 60’s it was confrontational and irreverent and witty. The Pop aesthetic never really went away and can be seen today in street graffiti, comic books, photo montage, and large-scale sculpture. The movement remains relevant today because people are drawn to the objectivity of these artworks. Pop culture motifs give viewers a feeling of inclusion or belonging –the artwork has an immediate personal significance.

Were they trying to make a socio-political statement? A critique of society? Or were they finding real beauty in Campbell’s Soup cans? Maybe they just saw everyday objects artistically?

Images by: https://www.themodern.org/blog/Contemporary-Pop-Art/343 & https://mymodernmet.com/what-is-contemporary-art-definition/

 

The Nature in Ephemeral Art

As mentioned in our last post, “The Floral Still Life: It’s Stems and Roots”, the traditional still life focused on a moral lesson –perhaps the most frequently used motif being life’s temporality. Flowers as they exist in nature are an art in and of themsleves; Claude Monet even said “My garden is my most beautiful masterpiece”. But these tragic beauties only last a season. They bud; they bloom; they die –such is life.

Here are some contemporary artists who capitalize on the short-lived nature of real live flowers to produce exquisite ephemeral art. Be sure to add any of your favorites I may have missed below!

 

Wolfgang Laib –”Pollen from Hazelnut” at the MoMA (2013):

This artist literally gathers pollen from trees and plants near his southern-German home, bottles it up, and takes it to museum’s all over the world to create dust-carpet installations on their floors. Part of me is impressed by his commitment, the other part wonders how the bees must feel…

 

Image Credit: The New York Times

 

Detroit Flower House – Lisa Waud and others:

Before a delapidated house in Detroit was demolished, florist – Lisa Waud – decided to give it one last hurrah by decking out the place in flowers. She partnered with local floral artists to make the various installations and the results were hauntingly beautiful.  The “Detroit Flower House” exhibit opened for one weekend in October 2015.

 

Image Credit: boredpanda

 

Flower Carpet Festival –Brussels, Belgium:

The event occurs bi-annually on the Grand-Place of Brussels, featuring a different design theme each year. This year’s flower carpet will “bring Guanajuato to the centre of Europe”

Image Credit: flower carpet

 

Jean-Michel; Bihorel: Flower Figures (made out of dried hydrangea):

Image Credit: designboom

 

Carl Kleiner: Postures Series (minimalist floral arrangements):

 

Image Credit: The Cool Hunter

 

“Flower Puppy’ by Jeff Koons:

 

The Floral Still Life: Its Stems and Roots

In this month’s exhibition we’re celebrating flowers and their appearance in various artwork styles from traditional to contemporary. The roots of this subject matter, so to speak, lie within the still life.

The still life grew in popularity, especially in northern Europe, during the 17th century. The intention of the still life at this time was to teach a moral lesson, especially to remind the viewer of the transience of life. Each bloom was imbued with a personal, cultural, or even religious significance –wilting flowers reminded the viewer of the temporality of life, lilies indicated the Virgin Mary, pink roses signified a clandestine love, etc. Despite their beauty and significance, “floral still life” as a subject matter remained at the bottom of the painting hierarchy, trailing far behind grandiose history paintings.

“ . . . Even if the painter of flowers need not make the same studies to make or conquer the same difficulties as the history painter, does that mean flower painting is a lower or more limited genre?”—a review of the 1817 Salon

In the 19th century, French realists and impressionists alike began to move away from painting still lives as Memento Mori/Vanitas artworks and began to paint scenes of everyday life –their objects and subjects –for their own sake. This shift was very unpopular; the painting was no longer edifying –just beautiful. Can you imagine a time when the impressionist “still life” was considered “modern” and ruffled the feathers of traditionalists? To best appreciate this genre, it’s important to understand that even the simplest subject matter faced criticism.

“(The) poor fabricators of still lifes, who have been so violently disbarred just when they least expected it . . . [T]hey are multiplying at an alarming rate. The rats in the Paris sewers are less numerous and less menacing. If the academic order ever crumbles, it will be because the still-life painters, down below, have gnawed away, one by one, at its foundations.”—Critic Jules Castagnary, writing about the Salon des refusés in 1863

Here are some quotations from the floral artists from the 1800s to help give some context to this genre (and perhaps redeem the critics’ harsh reviews with some romanticism). Enjoy this behind-the-scenes glimpse of still lifes and their hidden roots!

  • “I am following nature without being able to grasp her, I perhaps owe having become a painter to flowers.” – Claude Monet
  • “I must have flowers, always, and always.” – Claude Monet 
  • “A painter can say all he wants to with fruit or flowers or even clouds.” – Edouard Manet
  • “How right it is to love flowers and the greenery of pines and ivy and hawthorn hedges; they have been with us from the very beginning.” – Vincent Van Gough
  • “I am working at it every morning from sunrise on, for the flowers fade so soon, and the thing is to do the whole in one rush.” – Vincent Van Gough
  • “What seems to me to be one of the most important things about our movement is that we have freed painting from the tyranny of subject-matter. I am free to paint flowers and call them flowers, without having to weave a story round them.” – Pierre Auguste Renoir 
  • ” . . . I think that nothing is more difficult for a true painter than to paint a rose, since before he can do so, he has first to forget all the roses that were ever painted.” – Henri Matisse
 

How to Smell the Roses at our “In Bloom” exhibition

This week marked the start of our “In Bloom” exhibition here at Art Leaders. We look forward to celebrating floral art in all its forms –each painting as unique as the flowers they represent. But before we get too far into this exhibition, I wanted to offer some tips for appreciating the details during your visit in the gallery this month –a quick lesson in “slow looking”.

Despite the fact that the 70-plus paintings are of the same subject matter –the bouquet –they each offer so much beauty and interest when explored more carefully. Here are some ideas for how to prolong that quick glance into a slow look. You might be surprised at what beauty unfolds before you when you spend time with a single painting.

 

1. Scan the painting. I know, I know –I told you to slow down and now I’m telling you to “scan the painting”, but we can’t help of course but to take it in quickly at first, so do it. Scan the painting from left to right and top to bottom. Where does your eye fall within the painting? What grabs you as you eye wanders?

2. Get Close –so close that the painting becomes out of focus. From this perspective, try to figure how the artist created this piece of art one paint stroke at a time.

3. Step Back. How does the composition change when you step back a few feet? How do those details interact with each other to make the whole?

4. Consider Color. Spend some time with our flowers painted in the impressionist style. Chances are you’ll find multiple colors –perhaps the entire rainbow –within a single petal.

5. Seek out Details. Bugs like flowers too –can you find any hiding within these paintings? How about dew drops, perfectly poised to roll off smooth petals? Whether it be a tiny ant or an ironic swath of color –the beauty of each painting lies greatly in their details.

 

We hope to see you this weekend or throughout this month to enjoy our flower exhibition. Come in to practice your “slow looking” –after all, we can only appreciate life’s beauty when we take the time to stop and smell the roses.

 

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Address:
33086 Northwestern Highway
West Bloomfield, Michigan 48322
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Phone: 248-539-0262

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From fine art and custom framing to design consulting and art appraisals, Art Leaders Gallery is dedicated to offering the best selection and service in the Metro Detroit area.


Art Leaders Gallery has been providing Oakland County and the Metro Detroit Area with unique fine art and custom picture framing since 1992.